Produced Work
Keely Cobb is a current MFA Producing student at the California Institute of the Arts. She is working in Los Angeles as a Creative Producer for MashUp Contemporary Dance Company and an Associate Producer for Shakespeare Center LA.
In Flow: 15th Years of MashUp
MashUp Contemporary Dance Company
(Nov 2025)
Creative Producer
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A milestone performance celebrating MashUp's work from the past 15 years. Featuring work choreographed by Victoria Brown, Sarah Rodenhouse, Waeli Wang, Jessie Lee Thorne, Stephanie Heckert and Genevieve Carson.
Featuring MashUp Company Dancers; Bethany Violett, Chloe Lopina, Jane Zogbi, Jess Wicke, Katherine Lingle, Alexandra O’Neal, Lydia McDonald, Madi Ostrach, Melissa Valenzuela, and Sasha Serdyukov.
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The Bald Soprano
California Institue of the Arts
(Nov 2025)
Guest Director *Daniel Passer
Producer
Eugène Ionesco’s The Bald Soprano is a play where logic goes on holiday, language has a nervous breakdown, and dinner guests arrive only to discover they’ve been married for years without knowing it. It’s part comedy of manners, part linguistic demolition derby, and entirely bonkers.
Staged Reading of Karel ÄŒapek's R.U.R Adapted by Talene Monahon
Produced with Shakespeare Center LA in Los Angeles and NYC
(Sept. 2025)
Los Angeles
Performed at the Caltech Athenaeum with Midori Francis*, Matt Visser, Michael Shepperd*, John Sanders*, Keong Sim*, Jimmy Smagula*, K.T. Vogt*, and Sheldon Donenberg*
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New York City
Performed at the Bohemian National Hall with Ugo Chukwu*, Yonatan Gebeyehu*, Mia Katigbak*, Jess Barbagallo*, Ryan Spahn*, Erik Lochtefeld*, Steven Boyer*, Elise Kibler*, and Sheldon Donenberg*
The International Women's Day Dance Festival 2025
MashUp Contemporary Dance Company
(March 2025)
Creative Producer
The 9th annual 3-day festival hosted by MashUp Contemporary Dance Company MashUp. Featuring live work by: Hannah Millar, Ashton Titus, Tori Gorny, Jennifer Vieweg, MaryAnn Chavez, Genevieve Carson, Sam Chavez, Kate Myers and GiGi Todisco.
Along with a dance film festival featuring work from Margot Gelber and Rebecah Goldston, Sasha Serdyukov, Elle Wagoner, Shelby Green, Tiange Zhou, and Genevieve Carson
Love and Information
California Institute of the Arts
(May 2025)
Guest Director *Nancy Keystone
Producer
​Caryl Churchill's Love and Information is a kaleidoscopic view into the ways we try to understand the world, ourselves, each other, and our relationships. In 52 micro-plays, roughly 100 characters grapple with love and all the ways it comes to them (or doesn't) through memories, secrets, lies, hallucinations, sensations, and technology. Experience a play that explores our need for genuine human connection and our ability to love and connect in a world driven by social media and overwhelmed with information.
Frankenstein (Staged Reading)
Shakespeare Center of LA
(January 2025)
Producer | Production Manager
The Shakespeare Center is collaborating with Alice Scope, an international field-leading new media art curator and cultural strategist to explore the integration of highly advanced artificially intelligent chatbot technology with classic storytelling practices to explore new ways for art to engage students and teachers.
After classroom conversations with the AI Creature student engagement with R.N. Sandberg’s one-act adaptation of Frankenstein, will be offered by a union-contracted young professional company of actors, a stage manager, director, and a producer drawn from the California Institute for the Arts School of Theater.
The Last Days of Judas Iscariot
California Institute of the Arts
(December 2024)
Associate Producer
A courtroom drama that makes a compelling argument for lifting the “eternal damnation” sentence on Judas Iscariot, the most reviled and unexplained sinner in biblical history. Set in a time-bending world between heaven and hell, featuring A-list religious figures from Saint Monica to Mother Teresa to Satan and many more. Stephen Adly Guirgis’s expressionistic examination draws on sound theological doctrine to advance its soul-searching meditations on betrayal, guilt, and redemption.
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It Will Be What it Wants to Be
California Institute of the Arts
(October 2024)
*Guest Directed by Frank Caeti
Co-Producer
A playful evening of surprises, laughter and spontaneous creativity! Directed by Frank Caeti, It Will Be What It Wants to Be is a dynamic, one-act show featuring a diverse cast of 15 players who blend improv and devised theater to create a unique experience because every night, it'll be what it wants to be.